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  • Beqanna

    COTY

    Assailant -- Year 226

    QOTY

    "But the dream, the echo, slips from him as quickly as he had found it and as consciousness comes to him (a slap and not the gentle waves of oceanic tides), it dissolves entirely. His muscles relax as the cold claims him again, as the numbness sets in, and when his grey eyes open, there’s nothing but the faint after burn of a dream often trod and never remembered." --Brigade, written by Laura


    [private]  you got me with my worst intentions; ryatah
    #1


    lord, I fashion dark gods too;


    Though time does not pass for him in the same way, it does eventually dawn on him that it has been some time – even by his warped standards – since he has last seen her, or even checked in on her. She is a background hum, often, one of several things put into motion by his magic and still going.
    (This is how he thinks of her – as his possession, his prize. His, his, his.)
    No one thing in particular drew him back to Beqanna, He’d returned to the land, bored, and blood still remains on his lips from his efforts to alleviate that boredom. It had worked, for a moment, but then the joy of it had faded and he was again left idle, and so his thoughts turned to her, to the pale woman he so prizes.
    (We’d say love, but love has never been a word to fit well on the dark god. He consumes, instead.)

    He moves to the meadow, such familiar ground, and he reaches out for her. He feels her presence, tugs on it like a string, reaches further, beckoning. He finds, oddly, that what he can read of her is muddled, less refined, but he does not dwell on this. He dwells instead on the feel of her, of tracing the familiar lines, hearing her heart speed up as he chooses what to mete out.
    She does come – of course she does, how could she not? – but she is changed, and it was not him who changed her.
    He does not like this alteration, for he considers himself the sculptor of all things regarding this particular angel. Never mind that he has been gone for years, that she has always been powerful, in her own way – this is something else. His jaw tightens, and he feels the dried blood on his chin crack as the flesh stretches.
    “Ryatah,” he says, and he does not touch her, although he wants to, “you’ve changed.”

    c a r n a g e



    @Ryatah
    Reply
    #2

    Ryatah
    WHEN I WAS SHIPWRECKED I THOUGHT OF YOU
    IN THE CRACKS OF LIGHT I DREAMED OF YOU
    Her mind wanders to him more often than his wanders to her, but not even she is masochistic enough to count the days that he is gone.

    She does not deny herself the pleasure of missing him, though, because there is a perfect kind of ache that only comes from pining for someone that you don’t know when — or if — they’ll ever come back. Romanticizing their own twisted kind of intimacy is a pattern that is easy to fall back into, especially when there is no one else around suitable enough to use as a placeholder. She has been so good about that lately — letting herself remain untouched and sitting with her boredom, retracing old memories and letting her longing build.

    But then magic found her, and suddenly missing him morphed into almost dreading him.

    She cannot fully articulate why she thinks he will be irritated by the discovery; she only knows that somehow having magic feels like a betrayal, like she is knowingly toying with the power dynamic they have perfected over the years. She tells herself that he must know she would never think she could use her magic against him, but she remembers too how quickly he had bled her out on the mountain just for the simple fact that she had climbed it.

    When she feels that long-awaited pull from him, it is fear that leaps into her throat first, and she cannot even recall the last time that had happened.

    Outwardly, she is the same as he had last left her: golden halo and angel-wings that spill stardust, radiating that same honeyed glow and looking at him with those same nearly-black eyes that stare at him with both reverence and trepidation. But the magic hums like a current of electricity in her veins, and she knows that he senses it.

    She sees the blood that stains his familiar lips, and it is a strange thing, the way jealousy still manages to flare up through the fear. It pulls her focus from his wine-red eyes for only a moment before she shoves the emotion to a far corner of her mind, along with all the other cobwebbed things she doesn’t like to think about.

    “Carnage,” she says his name almost like an apology, all too aware of the space between them. This is usually where she would say she had missed him, and likely would have touched him just because she knew he would let her. But she sees the tension in his jaw and instead stays still, her pulse steadily rising like a slow flood. “It wasn’t on purpose,” she says softly, imploringly, yet she finds that she is more afraid that he will not even think her worth punishing and will instead just disappear.

    AND IT WAS REAL ENOUGH TO GET ME THROUGH —
    BUT I SWEAR YOU WERE THERE



    @Carnage
    Reply
    #3


    lord, I fashion dark gods too;


    He does not like this.
    He does not like that she has changed, but more, he does not like that he didn’t know. He is linked to her, a variety of trite charms and symbols over their time together. Even if he does not dip into his connection to her often, this should have called to him, the new thrum of magic.
    Why didn’t he know?
    He is too used to omnipotence, to knowing everything about those he chooses to set his focus on. Sure, sometimes he doesn’t seek it out – he enjoys a little variety, a little surprise – but he expects it to be there, if he calls. And he can sense it now, the magic a thick stink on her, growing stronger by the second, as if she is a blurred image finally sharpening into clarity.
    But why had she ever been so blurred?
    (He thinks, abruptly, of Gail. She was not readable – but she had never been.)

    He throws himself into her mind then, a rough action, none of his usually bemused drawn-out toying. He tears through her memories, finds how her magic came to be, but the source is banal – Beqanna and her foolish whims – and doesn’t explain why he didn’t know.
    “You didn’t tell me,” he says, pulling himself back from her mind. His voice is flat, an undercurrent of something he does not quite put a name to below the words. Never mind that he had not seen her since, never mind that a god was putting the onus on an angel instead of the other way ‘round – it feels good, to punish her for this sin she may or may not have committed.
    “It doesn’t suit you,” he says, “you were better, before.”
    Truth is, it makes no difference, of course – things may have shifted, she may be less readable, but he knows he can do whatever he wants with or to her, whether or not she is willing. But he is a petty god, and he has been unpleasantly surprised by this shift in her, and so he wants to punish her for it, even if none of it was her doing.

    c a r n a g e



    @Ryatah
    Reply
    #4

    Ryatah
    WHEN I WAS SHIPWRECKED I THOUGHT OF YOU
    IN THE CRACKS OF LIGHT I DREAMED OF YOU
    She does not know if it is real or imagined, that she can feel him forcing himself into her mind, but she flinches as if it is a physical pain all the same. She doesn’t move away, though, doesn’t do anything to try and keep him out — thinking that maybe if he can see how willingly she still lets him take whatever he wants from her that he will see that she is still the same as she has always been, magic or not. Always a willing victim, ready to play whatever game he has created, to morph herself into the piece he needs her to be.

    “I didn’t want you to be mad at me,” she says quietly, aware of how stupidly childish the statement sounds. She knows that she cannot hide anything from him. She knew that this very interaction was inevitable, that the only way to avoid it would have been for him to lose interest in her entirely and for their paths to never again cross. And she knows that if given the choice, she would choose exactly where they are now, because she would rather be wilting beneath his cold stare than to be forgotten like all the rest.

    At least with him here in front of her there is a chance of rectifying her wrong, if only she can figure out exactly the way she needs to bleed to earn his forgiveness.

    But something in his next statement stings, and she can feel her own jaw clench. Not in anger, but at the ache that swells in her chest, tightening in her throat. You were better, before. That always seems to be the way of it, and she has heard some iteration of it from others. She was always better to them when she was smaller, milder, weaker. She always did something that caused their interest to wane or for them to realize she cannot fit into their idyllic fantasy forever because she is horribly, irrevocably flawed.

    It didn’t matter that it wasn’t his magic that he controlled her with; and she thinks he knows that, is sure that he must know by now it’s not in fear of his godhood that she falls before him, is sure that he must know that she worships at an entirely different altar than the rest of this place. It’s why, in her mind, her magic does not matter, because even if everything was stripped away from both of them he would always be the sun to her.

    “You didn’t say that when I suddenly became an angel,” she manages, trying to smooth the hurt from her voice, trying to hold his gaze even though hers longs to drop away. She knows she is walking a fragile line, that he is already angered and likely not in the mood for her questioning anything, but the air between them is now fraught with the kind of tension she knew she had no choice but to push against until it snapped. “Why is this so different?”

    AND IT WAS REAL ENOUGH TO GET ME THROUGH —
    BUT I SWEAR YOU WERE THERE



    @Carnage
    Reply
    #5


    lord, I fashion dark gods too;


    Because she is his – because he loves her – he considers her question.
    (Love is such a stupid word for it. It’s not one he uses. He does not love so much as consume, biting and swallowing them whole, taking and taking and taking. But we use that word anyway, because it’s easier. Simpler, when nothing between them is simple.)
    Why is this so different, she asks.
    The real answer - because I did not know about it, because I did not feel it - dances for a moment on his tongue, but he swallows it. He is not one to admit his faults, to any chink in the armor.
    “You were always meant to be an angel,” he says, and his voice is sweeter now, because the sting of this discovery is fading, and already he is deciding on a plan, a way to find his balance again, to reclaim the thing that is already his.
    “Besides,” he adds, voice growing sweeter still, “an angel befits a god, correct?”
    As if her entire existence was crafted to suit him, when they live so many separate lives.

    He moves closer, then, and in doing so is reminded of the precise sweetness of her presence. He had been distracted from his wanting with the revelation, but as his ire ebbs, it makes way for other things – the need to draw his mouth across her neck, to feel her shuddering exhales, to feel her needy against him.
    “Let’s start again,” he says, as if her new magic was a mere slight, as if it was forgiven, “for I have missed you.”
    He closes the final step between them, lays the rough texture of his muzzle lightly against her withers. His wine-dark eyes close and he inhales her scent, which is unchanged for all the magic, and sweet. But he reaches out, too, vining his magic into her, reaching, grasping for the threads of the magic imbued in her, gently tugging. He does not yank, but he lets her feel it, lets het feel all of him – his mouth, his magic, and his desire to take and take and take.

    c a r n a g e



    @Ryatah
    Reply
    #6

    Ryatah
    WHEN I WAS SHIPWRECKED I THOUGHT OF YOU
    IN THE CRACKS OF LIGHT I DREAMED OF YOU
    That wretched heart of hers flutters when he tells her she was always meant to be an angel, because she still remembers the way she had felt when the change took place; how she had felt like an imposter knowing that she is anything but heavenly,  yet also how she had so desperately hoped that he would like it. To hear him say it felt like a validation she had not realized she had been craving all this time, a question that she had been too afraid to ask, even though she knew if he hadn’t liked it he would have fixed it — would have torn off her wings or demanded that she do it herself, and he would not have had to ask her twice.

    Over time that reverent side of her has not lessened, but has instead grown stronger, nurtured by year after year of this macabre romance, until he is like a blade in her chest that she did not know how to live without, afraid that removing him would bleed her dry rather than save her.

    But she is changed in other ways, no longer quite so content to walk this world as any of those older, weaker versions of herself. This has nothing to do with him and everything to do with her, because she has never viewed anything he did to her as something worthy of seeking vengeance.

    The rules of their game did not make sense to anyone besides them, and the longer they played the less she found herself willing to be a pawn to anyone else.

    With every new iteration of herself she is learning that she did not have to be.

    Once he touches her, though, all other thoughts slip to the wayside.
    She forgets her magic, and almost (almost)  forgets that he is displeased. She thinks only of how long it's been since she last felt him, the way he makes her breath catch as his mouth traces a familiar path across her pale skin, the way she forgets to be afraid. It is a reflex to reach back, to run her lips across his shoulder, to recall how he smells of everywhere and nowhere all at once, but also just distinctly him.

    “I missed you, too,” she breathes, not caring if he is lying (because she is not). His tone is too saccharine, but she ignores it. He has been sweet to her before, so that in itself does not raise alarms. The honeyed thickness to his voice is what makes her feel as though he is trying to lure her into some kind of trap, but she is too busy committing his touch to memory to pay that stirring of unease in her chest any mind.

    But the sensation of him pulling at her threads of magic is enough to rouse her from the haze she found herself in, though she does not pull away from him, does not break contact when she asks, a soft whisper across his skin, “what are you doing?”

    AND IT WAS REAL ENOUGH TO GET ME THROUGH —
    BUT I SWEAR YOU WERE THERE



    @Carnage
    Reply
    #7


    lord, I fashion dark gods too;


    His breath catches a little when she touches him. He is unsettled by this, because he had not meant to do such a thing. The dark god takes great pride in his omnipresence, in his ability to manipulate, and that manipulation extends to himself as well. He is meant to be controlled in all things, at least when control is the option he chooses.
    He thinks again that he hadn’t known about her magic. He can still read her, up close like this, he can feel the thoughts of desire and devotion and they cause a flare within him, his own need to touch her, to reclaim her until she can remember no name but his, at least for a moment.
    But he can’t focus on that, as much as he wants to. Not until this other matter is settled.

    He feels the threads of her magic, woven like veins through her pale body. She speaks when his grip tightens, asks what are you doing and at first he doesn’t speak, only murmurs something wordless into her skin, feeling her warmth beneath his lips.
    “Fixing you,” he says. His own magic wraps tighter around hers – a new way for them to be joined, now. It’s pleasant, in a way – he has done this before, but it was far more brutal, an evisceration rather than seduction, for he had not allowed the ex-magicians to survive the process.
    “Let me,” he says, and it’s not exactly a question, then adds, “for us.”

    c a r n a g e



    @Ryatah
    Reply
    #8

    Ryatah
    WHEN I WAS SHIPWRECKED I THOUGHT OF YOU
    IN THE CRACKS OF LIGHT I DREAMED OF YOU
    She notices the way his own breath catches at her touch, and if they were under different circumstances she might have taken a moment to revel in that.

    The imbalance that existed between them extended beyond the magic they each had; she loves him and he cannot love her, and she has learned to accept instead being wanted by him. And yet there is nothing she wants more (and she wants so many things, one of her countless flaws) than to feel as if she has a piece of him just as he has a piece of her, no matter how small it may be. To know that there is a reason that even in the infinite expanse of time that he possesses that she still crosses his mind, however erratic and fleeting, and reminds him to come back.

    But given their current position—she curled against him, and he wrapped around her magic—she does not allow herself to savor the satisfaction, her attention tunneled to only one thing.  She knows now that her punishment has already begun, knows based on the way he constricts tighter and tighter around the object of his ire. There is a small part of her that wants to pull away, to try and sever the grip he has on her magic. She wants to be selfish; she wants to keep this power, wants to revolt against him just to see how far she would get. But she so rarely disobeyed him, and she knows him well enough to recognize that this is only the beginning of how he will express his displeasure with her.

    And the part of her that does not want him to stop touching her is stronger—always.

    His words are warm against her skin, and heat floods her blood, rising to the surface to meet his lips. He has a hold on more than just her magic, and even if somewhere in the back of her mind she wants to plead with him to not take it, those words never have a chance to make it to her tongue. Her magic is merely an extension of herself, and every part of her wants him in this moment, and she can almost feel the gilded threads giving themselves over to him when she sighs a breathy, nearly inaudible acquiescence against his shoulder.

    AND IT WAS REAL ENOUGH TO GET ME THROUGH —
    BUT I SWEAR YOU WERE THERE



    @Carnage
    Reply
    #9


    lord, I fashion dark gods too;


    He is startled to find how deep his urge is to forget himself in her. He does not want outside of himself – what better thing to be, than a god? – but here against her, his resolve shudders. There is the temptation to forget this game, her magic wrapped in the fists of his, to dive into her flesh instead, its own kind of magic.
    But he hadn’t known. He hadn’t known.
    And so it must go. He must destroy the evidence of his failure, so that she will not be marred for him.

    He pulls at the magic, ripping it from her like veins. It is not painless – he lets the magic heat and burn within her, so that when he begins to tug it loose, she might celebrate its departure. It has been a moment, since he has excised magic from someone – and those past efforts had ended in their deaths – and so he is slow, precise in his actions. He takes her magic for himself, of course, feels it brush alongside his, a strange new presence in him. He supposes in time it will absorb, join the powers he has cultivated.
    “There,” he murmurs, and now that she is rid of that mocking magic he can focus on touching her, on tracing the delicate places across her body. The excision of magic left no physical wounds, but he imagines the spots will still ache in some strange way, and so he touches them with his lips, as close to praise as he will come.
    “So much better,” he says, “you did well, Ryatah.”

    c a r n a g e

    Reply
    #10

    Ryatah
    WHEN I WAS SHIPWRECKED I THOUGHT OF YOU
    IN THE CRACKS OF LIGHT I DREAMED OF YOU
    She is accustomed to pain, in both the literal and figurative sense.
    She has lost her eyes and her heart, she has been killed and revived, she has felt the keen sting of betrayal and heartbreak, and still nothing could prepare her for what it felt like to have magic ripped from her. It reminded her almost of what it had felt like to be burned by stars, if the stars had been a living thing entwined with her own blood. The pain radiated from a place that she could not name — it was everywhere all at once, relentless and constant, stealing her breath. She wants to beg him to stop; the pleas are there but they turn to ash in her throat, either because she physically cannot speak them, or because she knows it will be over faster if she does not resist.

    When he is finished, she feels strangely hollow.
    She had not realized how much space magic took up, and is even more surprised by the sorrow that quickly surges forward to fill the emptiness it had left behind. She has never been the kind to long for power; for most of her life she had been unassuming and plain. But she hated this new feeling of weakness, as if all her armor has been stripped from her and she has been left entirely defenseless.

    His touch is the only thing that distracts her from these thoughts, like a balm to where the absence of magic still aches, and in the glow of his praise the rest of it disappears. She wants to ask him how she can earn it back, as she has done with the other things he has taken, but something tells her now is not the time. She can be patient — she waits for him for months, sometimes years, and she tells herself that she can wait for this, too. “I’m sorry that I didn’t tell you,” she says, sweeping her lips along his neck, and despite the melancholy that sits behind her ribs, she means it. “It wasn’t intentional. I just don’t always know how to find you.”

    AND IT WAS REAL ENOUGH TO GET ME THROUGH —
    BUT I SWEAR YOU WERE THERE



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